this post was submitted on 08 Jan 2024
136 points (87.0% liked)
Science Fiction
13673 readers
14 users here now
Welcome to /c/ScienceFiction
December book club canceled. Short stories instead!
We are a community for discussing all things Science Fiction. We want this to be a place for members to discuss and share everything they love about Science Fiction, whether that be books, movies, TV shows and more. Please feel free to take part and help our community grow.
- Be civil: disagreements happen, but that doesn’t provide the right to personally insult others.
- Posts or comments that are homophobic, transphobic, racist, sexist, ableist, or advocating violence will be removed.
- Spam, self promotion, trolling, and bots are not allowed
- Put (Spoilers) in the title of your post if you anticipate spoilers.
- Please use spoiler tags whenever commenting a spoiler in a non-spoiler thread.
founded 1 year ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
Sure, good point, I think of the movie Arrival as two parts:
For most of the movie, a scientist is struggling with a novel interesting scientific problem with guidance from subject matter experts who have established environmental knowledge but not theoretical insight, with a great deal of interference from funders, with inter-team rivalries and a collaborator / competitor tension with similar teams around the world. The problem in question is based on linguistics with the type of thoroughness that is never shown on screen and rarely in print SF. (Compare it to the "Shaka when the walls fell" episode of TNG. I like that episode! But it's cartoony by comparison.) So both the practice and the principle of the research shown has a scientific basis, and if the movie had ended with the lead scientist solving the problem then I think we'd all agree it's Hard SF. However, we also have the last part of the film.
You question the scientific plausibility of the last part of the film. Regarding the story the film is based on, apparently:
but I don't know enough to judge that and though it was kind of uplifting, the last part of the film was qualitatively different from the first, and I agree seems a lot less "Hard SF".
To recap, I argue that at least the first part (a majority?) of the movie is Hard SF. Now the question is: does the last part disqualify it from a) being on this list and b) being Hard SF? Regarding a), the authors of the list say "Contact is hard sci-fi by association because it's not a very realistic film" so they are taking a very forgiving definition of Hard SF. Therefore I stand by my assertion that Arrival is qualified to be on that list. By virtue of the quality with which the first part of the movie proceeds, I argue that it also deserves to be on that list. Regarding b) whether Arrival is Hard SF beyond the definition used by that list I am less certain.
I'm with you on the first part, but the fact that the whole conclusion to the story - the solution to the mystery - ends up being as close to fantasy as to SF to me makes it not a hard SF film. But we're talking about terms for things that exist on a spectrum, not crisply defined black and white. I don't begrudge your take on it, I just feel differently.
I think there is a large gap between Contact and Arrival. Contact involves creating a giant machine that allows ftl communication. Arrival involves the idea that we are born with our neurons already physically imprinted with every memory we will ever save. This is already known to be wrong because we have observed change in neurons.