Traditional Art

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From dabblers to masters, obscure to popular and ancient to futuristic, this is an inclusive community dedicated to showcasing all types of art by all kinds of artists, as long as they're made in a traditional medium

'Traditional' here means 'Physical', as in artworks which are NON-DIGITAL in nature.

What's allowed: Acrylic, Pastel, Encaustic, Gouache, Oil and Watercolor Paintings; Ink Illustrations; Manga Panels; Pencil and Charcoal sketches; Collages; Etchings; Lithographs; Wood Prints; Pottery; Ceramics; Metal, Wire and paper sculptures; Tapestry; weaving; Qulting; Wood carvings, Armor Crafting and more.

What's not allowed: Digital art (anything made with Photoshop, Clip Studio Paint, Krita, Blender, GIMP or other art programs) or AI art (anything made with Stable Diffusion, Midjourney or other models)


make sure to check the rules stickied to the top of the community before posting.


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submitted 3 weeks ago* (last edited 3 weeks ago) by [email protected] to c/[email protected]
 
 

A project space in East London is preparing a series of events and an exhibition of artistic works, films, texts, and other artefacts broadly relating to the aesthetics of conspiracy and conspiracy theory.

We are interested in hearing from artists whose practices are concerned with conspiracy and conspiracy theory and refer directly to particular current or historical conspiracies, as well as works which consider conspiracy theories as affective structures for knowing. How might the “truth of art” address “post-truth” public domains? The project aims to understand and share with audiences the aesthetic forms of conspiracy manifest in contemporary art practices, as well as the failure of mainstream arts and media institutions to address conspiracy theorising.

We are agnostic about the content and attitude of any conspiracy theorising artists may pursue, historic, recent, or ongoing. Covid-truthers are welcome to respond to the call alongside those whose work debunks anitvax conspiracy theories. We are interested in political, social, scientific, psychological, and personal conspiracies.The intended outcome of this call is a presentation of works in the form of an exhibition and an event series unfolding between October 2024 and January 2025 in London. The location and further details will be shared with applicants. There is no submission fee. The project cannot offer honoraria or production budgets.

Submission:

Works in all media are welcome.

We are also happy to hear about work in progress.

Anonymous or pseudonymous submissions are acceptable.

Please indicate the key interests of your proposed work in response to the outline above and submit materials relevant to your proposal in a form appropriate to your practice by.

Deadline: 1 December 2024. Earlier submissions will be reviewed as they arrive.

Submission and inquiry contact: [email protected]

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