this post was submitted on 13 Jul 2024
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TenForward: Where Every Vulcan Knows Your Name

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[–] [email protected] 45 points 1 month ago (8 children)

It's pretty bad. Comparing it to other Trek or not. Writing is atrocious. Much of the acting is bad. Crying Captain crying damn near every episode. Not developing much of the bridge crew over 5 years. Not to mention not remembering their own rules (I remember once they said they couldn't jump while cloaked, and then they did it).

Stamets, Saru, and Georgiou were they only ones that kept me watching.

If others can find joy in it, sounds good to me, but I'll pass thanks.

[–] [email protected] 5 points 1 month ago (3 children)

See, I’m torn. Because ST often gets weird and goofy, but DIS seemed to take that to another level with some REALLY questionable writing, directing, and acting at times. But that said, the big showpiece that DIS brings to the table - and imo, absolutely hits out of the park - is the pervasive theme of radical acceptance. For all the cringe and facepalm moments that the show has, THAT is a huge win - and in fact, goes to the very core of what the UFoP is supposed to represent both in-universe and in the context of fandom.

[–] [email protected] 8 points 1 month ago (2 children)

What exactly were you missing in other shows that was accepted here (besides wild subordination and actual mutiny)? I have to say I felt somewhat uncomfortable with the amount of emotion they show during their work. I have no problem with the show exploring that, but these people are supposed to be professionals, having them cry during every shift doesn't really give that impression

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