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The History and Future of Digital Ownership (www.theverge.com)

submitted 9 months ago by [email protected] to c/[email protected]

74 comments fedilink hide all child comments

I'd like to get the community's feedback on this. I find it very disturbing that digital content purchased on a platform does not rightfully belong to the purchaser and that the content can be completely removed by the platform owners. Based on my understanding, when we purchase a show or movie or game digitally, what we're really doing is purchasing a "license" to access the media on the platform. This is different from owning a physical copy of the same media. Years before the move to digital media, we would buy DVDs and Blu-Rays the shows and movies we want to watch, and no one seemed to question the ownership of those physical media.

Why is it that digital media purchasing and ownership isn't the same as purchasing and owning the physical media? How did it become like this, and is there anything that can be done to convince these platforms that purchasing a digital copy of a media should be equivalent to purchasing a physical DVD or Blu-Ray disc?

P.S. I know there's pirating and all, but that's not the focus of my question.

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[–] [email protected] 2 points 9 months ago (13 children)

Digital media means that there is an ongoing service behind it. The servers use energy. The parts age and break. It requires a continuing feed of labor and resources to keep going.

Imagine a streaming service that is all based on buying media, instead of subscription or renting. Then suppose all the customers somehow decide that the media they own are enough for now (maybe because money is tight, because inflation). With no more cash coming in, the service goes bankrupt.

In principle, you could have a type of license that allows you to get a new copy in any way you can (torrent, etc.). That would be hard to police, though.

FWIW, owning a physical copy isn't all that, either. There are various ways built-in to make life harder for customers, like geo-blocking. Bypassing these tends to be a criminal offense.

[–] [email protected] 6 points 9 months ago (3 children)

And yet, somehow, GOG and Itch still exist, allowing you to download games completely DRM-free, as often as you like. If they ever go out of business, you can still use your local copies forever.

How do they do it? A mystery...

[–] [email protected] 0 points 9 months ago (2 children)

That takes a lot less bandwidth than streaming. All business have fixed costs. Blockbuster Video had to pay rent for physical stores, for example. Delivering via the net is relatively cheap compared to stores or physical postage. I'd be surprised if GOG's cost aren't much lower than anything physical.

[–] [email protected] 2 points 9 months ago (1 children)

Well then let me actually download the movie like it was a game, then! And how exactly does it take less bandwidth? It's still tens or hundreds of gigabytes to download every time someone wants to install a game, most people only use the offline installers as backups.

[–] [email protected] 1 points 9 months ago

But how often do you install the same game? A streaming movie needs to be (partially) downloaded every time someone watches it. But yes, I shouldn't jump to the conclusion that this ends up being a higher bandwidth cost per dollar purchasing price.

When you keep a backup, then the download was basically just a way of delivering a physical copy. I answered why we can't have online property.

As to why many don't allow you to keep a private copy. For the obvious reason: To maintain control over their property and monetize it to the highest degree possible.

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