Fight Club. Even the author preferred some of the changes made for the movie.
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The Stargate movie was good, but SG-1 far surpassed it.
Arcane, the animated Netflix show that was based on League of Legends.
TBF that was a low bar to clear. They just had to make sure the show was better than a bunch of screaming children.
However it is truly fantastic
Starship Troopers - the book was extremely meh - the movie is excellent (and very relevant to modern day).
Clue - an excellent movie based off a fucking boardgame... ditto for Barbie now as well!
Mage the Acension is a TTRPG love letter to Ars Magicka and it blows it out of the water.
The Mist
That ending was one of the most brilliant gut-punches in film history. Stephen King himself said he wished he had written it.
The Muppet Christmas Carol
I wasn't sure what the right answer to this question would be until I saw it.
Controversial, but Lord of the Rings. Tolkien wrote great stories, but his writing style always seemed kind of lackluster.
I encourage you not to view him as an author but as an imaginative creator confined by language.
I can't fault him for any of his depth and character building and poetry and storytelling and descriptive environments it was all very thorough and for the right person wonderful. I think the movies did a giant justice to making his work accessible. There are a lot of people out there that can't manage to make their way through his poetry sections. And you can't not read the poetry sections because there's definitely content in there you need.
Pretty much everyone whoβs discussed it agrees The Godfather (film) blows the Puzo novel it adapted away.
Runner up is Adaptation, an adaptation of the novel The Orchid Thief that expands its scope significantly.
The sequel to Trump screwing Stormy Daniels...Stormy Daniels screwing Trump.
2001: A Space Odyssey (1968), at the time of its release, was based on a short story called The Sentinel by Arthur C Clarke. In that story, the roots of the Tycho Monolith plot segment of 2001 of is sketched out, and then expanded as both a screenplay and a full-length novel.
The Princess Bride was a pretty good book but an amazing movie.
One thing that always stuck out to me about the book is the introduction of certain editions. The author writes about himself researching the history of the country the story takes place in and describes it as real, saying he took his son to a museum with Inigo's sword and everything.
I was Googling furiously when I read it because I was so confused. I was astounded that the place (and people) was "real". It took a bit of research to find that the author just does this bit and hasn't let it go since he wrote the book
I'm still so charmed that he tricked me. It made reading the book that much sillier, for me
Jimi Hendrix's All Along the Watchtower
In 1995, Dylan described his reaction to hearing Hendrix's version: "It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn't think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day."
Ill be killed for this but...Lord of the rings. Like, im sorry book purists but even after reading the books twice. Tolkien, is and always will be, THE high fantasy author, the one who basically made things we take for granted today. But the music from Howard Shore. So many scenes like from how fellowship began, to DEEEAAAATTTTHHH to Sam just being the broest bro to ever exist. I dont mind all of the cuts and changes they did, i happily return to the movies all year every year, the books? not so much.
The movies are awesome, but as a bookworm I would rather say they're doing justice to their source material. I'm rereading more than rewatching, but I guess I'm not normal (And no worries, we book purists don't kill people who have actually read the book)
heres a controversial opinion: The American Office vs the UK Office.
While I respect the original, Gervais' external antics and the much meaner, darker humor just don't create as good a comedy vehicle that enables the viewer to laugh and have fun and enjoy themselves watching the show
On that note, wasn't Whose Line is it Anyway originally British? Because Drew Carey's was peak!
The Magicians: The books were good, but the TV show really was in a class all its own. And it did away with using obscure words just because, that was annoying.
Game of Thrones: At this rate, ASOIAF is never getting done, so I'm by default giving it to the show for actually finishing the job.
Good Omens: The first season brought the book to life, but there wasn't source material beyond that. The second season did a great job fleshing out the characters and moving the story forward into the final season.
Iβd rather the five released ASOIAF stay as they are, perpetually unfinished than anything close to the hatchet job that was the GoT show ever be released in book. For me, sometimes just finishing isnβt enough. The books > than the show 10,000 times.
Blade runner. Much better than "Do androids dream of electric sheep?" but it is only loosely based off it.
PS: when reading a book after watching a film, it usually feels like the book is much better, fills in details, separates scenes which a film had mixed together or altogether done away with. E.g. The Shining, LotR, Dune...but for Androids I just felt "what, that's it?"
The truth of the matter is that a lot of PKD and Heinlien era sci-fi was very focused on exploring a single theme - that works well literary but isn't rich enough for TV/Movie - so those works generally got richer and usually were by transitioned by genuine fans that tried to keep the theme and core message.
I feel this is mostly the case with short stories (and a lot of those works were short stories). Where there isn't enough material for a full movie, the writers are free to add more to the story without messing much with the original. DADOES did have enough material but the movie decided to go a different direction while keeping the main theme. I wouldn't say one is better than the other in this case as they're pretty different.
They're almost too different to compare imo, but both the book and the movie are top-tier.
I just went through my entire favorite movie and show list and couldn't find a single one. I can only find ones where the adaptation is great, because it limits its focus while still keeping the overall spirit of the original. Or ones that tell a very different story, but manage to do it well.
Dune, all quiet on the western front (1930s one), total recall, it's a wonderful life, blade runner, I claudius.
Battlestar Galactica (2003) -Originally a mini-seris to pay homage to the original idea through the lens of current events exploded into to what is my favorite show to ever be on television. Informing so much of what TV sci-fi could be after it.
I would say The Expanse but them not filming the last 3 books skews that. Never had any interest in LoL but Arcane is amazing.
The Bourne Identity movie > book
Shattered Pixel Dungeon
Jaws the movie is much better than the book. None of the characters in the book are remotely likeable.
Attack on Titan anime better than the manga. I love them both, but the musical cues, the animation, the voice acting all take the anime way over.
Interview with a vampire. The book was good but the movie was better imo.
Freebsd
Both film versions of Solaris, though for vastly different reasons. Lem's original novel is super dry and hard sci fi, like most of Lem's work, which isn't my favorite kind of sci fi. Both films really delve into the fascinating psychological questions of the situation Kelvin finds himself in. The Tarkovsky version is the best, unsurprisingly, since Tarkovsky is the GOAT, but I also really enjoy the Soderbergh version with George Clooney. The latter is hollywoodized compared to the Soviet version, but still is a really interesting and gorgeous movie
Invincible. The comics are great, but I think the show dramatically improves a couple characters