Photography
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fixed lens cameras are a relatively niche thing nowerdays, despite the hype around thr fuji x100vi and the rico gr3.
i'd look for a micro-four-thirds camera like the om system om5/olympus e5. The micro-four-thirds sensors are very good, despite being smaller, the system offers a ton of good glass that tends to be lighter and smaller than aps-c or fullframe equivalents, so very backpackable.
I know the M4/3rds are pretty good, I'm just worried about low light performance as I do lots of sunset, blue hour, and night photography. Do you have knowledge on that? Maybe they're better now than I realize. I haven't heard of the Rico either, I'll check that out.
Three ideas.
First, are you taking photos of static or dynamic subjects? In other words, can you push your shutter speed down to make up for lost light? If yes, it doesn't really matter which sensor format you go with. As an added bonus, M43 stabilization is stupid good so you might even be able to skip the tripod.
Second, there's no beating a fast FF lens on a FF body but those are going to be big and expensive. Here's a quick comparison. The Sony lens is 1.7 pounds and costs $2,000 new vs the Oly's 0.9 pounds and $1,200 price tag. There are super fast third party E-mount options that will save some $$, but no weight (hi Sigma), and slower first and third party options that will save $$ and weight, but will also start to eat into the two stop advantage FF sensors enjoy in low light. For example, Sigma's 50mm f/2 lens, which weighs 0.75 pounds and costs $640, will leave you with around 2/3 stop advantage in low light. It's still an advantage, and it even costs and weighs less than the Oly, but it's not a large advantage in terms of dynamic range.
Finally, with a fast FF lens you're going to be facing a fairly narrow depth of field wide open. That 50mm f/1.2 FF lens will give you a 0.11m depth of field wide open with a subject that's 2m away. If you want the extreme background of your image sharp, everything closer than 35m will be out of focus. Conversely, that 25mm f/1.2 MFT lens will give you a 0.23m depth of field with a subject that's 2m away and with infinity acceptably sharp you'll have a sharp foreground subjects 17.5m and further away from the camera. Stopping down the FF lens will increase its depth of field, but will again eat into the inherent advantage a FF body has over a M43 body.