this post was submitted on 14 Nov 2024
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Indigenous

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A tomahawk is a type of single-handed axe used by the many Indigenous peoples and nations of North America. It traditionally resembles a hatchet with a straight shaft. In pre-colonial times the head was made of stone, bone, or antler, and European settlers later introduced heads of iron and steel. The term came into the English language in the 17th century as an adaptation of the Powhatan (Virginian Algonquian) word.

Tomahawks were general-purpose tools used by Native Americans and later the European colonials with whom they traded, and often employed as a hand-to-hand weapon

Etymology

The name comes from Powhatan tamahaac, derived from the Proto-Algonquian root *temah- 'to cut off by tool'. Algonquian cognates include Lenape tΙ™mahikan, Malecite-Passamaquoddy tomhikon, and Abenaki demahigan, all of which mean 'axe'

History

The Algonquian people created the tomahawk. Before Europeans came to the continent, Native Americans would use stones, sharpened by a process of knapping and pecking, attached to wooden handles, secured with strips of rawhide. The tomahawk quickly spread from the Algonquian culture to the tribes of the South and the Great Plains.

Native Americans created a tomahawk’s poll, the side opposite the blade, which consisted of a hammer, spike or pipe. These became known as pipe tomahawks, which consisted of a bowl on the poll and a hollowed out shaft.

General Purpose Tool

Many Native Americans used tomahawks as general-purpose tools. Because they were small and light, they could be used with one hand. This made them ideal for such activities as hunting, chopping, and cutting. Both the Navajo and Cherokee peoples used them in this way. The development of metal-bladed tomahawks expanded their use even more. Most Native Americans had their own individual tomahawks, which they decorated to suit their personal taste. As Native American artwork shows, many of these were decorated with eagle feathers, which represented acts of bravery.

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[–] [email protected] 2 points 1 month ago (1 children)

What if, instead of Everything Must be Didactic or the Fascists Win, we make more art like Sorry to Bother You that isn't didactic but is still pretty impossible to misinterpret? Surely there's a better way to make antifascist art than making the same thing a fascist would make but taken slightly too far.

[–] [email protected] 4 points 1 month ago (1 children)

I thought starship troopers was very on the nose

[–] [email protected] 2 points 1 month ago (1 children)

It is, and I think the majority of the fascists that misinterpret it probably realize that it's not meant to be fascist propaganda. It's just like how we sometimes look at anticommunist stuff that portrays us as extremely powerful and hot rebels and we embrace it. Not all fascists are media illiterate, and many are cynical enough to see the utility of signal boosting media that plays into the image that they unironically believe in.

[–] [email protected] 2 points 1 month ago (1 children)

What signal boost? If only fascists think it's cool and good than it seems like it's not great propaganda

[–] [email protected] 2 points 1 month ago (1 children)

People like Critical Drinker or that kind of chud promote it to their audiences.

[–] [email protected] 1 points 1 month ago

A chud pr9moting a chud take to a chud audience isn't really changing anything