Quark's

1097 readers

1 users here now

Come to Quark’s, Quark’s is Fun!

General off-topic chat for the crew of startrek.website. Trek-adjacent discussions, other sci-fi television, navigating the Fediverse, server meta (within reason), selling expired cases of Yamok sauce, it’s all fair game.

founded 1 year ago

MODERATORS

[email protected]

‘Daredevil’ Hits Reset Button as Marvel Overhauls Its TV Business (www.hollywoodreporter.com)

submitted 1 year ago by [email protected] to c/[email protected]

6 comments fedilink hide all child comments

Disney is apparently (re)discovering that they need to treat TV shows like...TV shows.

The studio also plans on having full-time TV execs, rather than having executives straddle both television and film.

“We need executives that are dedicated to this medium, that are going to focus on streaming, focus on television,” says Winderbaum, “because they are two different forms.”

It also is revamping its development process. Showrunners will write pilots and show bibles. The days of Marvel shooting an entire series, from She-Hulk to Secret Invasion, then looking at what’s working and what’s not, are done.

you are viewing a single comment's thread
view the rest of the comments

[–] [email protected] 2 points 1 year ago

There has been good MCU content that actually has coherence - Agents of Shield, She-Hulk, Loki - but they’ve effectively had Showrunners.

Why Marvel thought it was optional, and everything could be fixed with editing in post is bizarre, but I’d argue that they’re just at the extreme end of a continuum.

Even with showrunners, some of the early seasons of the new era of Star Trek seems to have fallen into the same trap. To many big ego EPs each doing what they want and Kurtzman trying smooth it all out with editing in post.

Osunsami has kept coherence in the direction of Discovery in Toronto, but Picard season one and two was all over the place, frequently ignoring the tone laid down by Hanelle Culpepper in the pilot.