JohnnyEnzyme

Mourrain doesn't show up in LBK or BDT yet, but it's clear that he does lots of illustrations for childrens' books. The style we see above seems to be his most common, but he also works in a more monotone, shade-heavy approach. More of his work can be seen here.

I don't know if this little collection appears in any particular book (I couldn't find it), but in any case it appears to involve three children visiting these famous places:

Pyramid entrance to Le Louvre.

Opéra Garnier’s grand staircase, with the Phantom of the Opera just visible under the stairs. EDIT: thanks to "troglodyte_mignon" in comments for the info!

That's The Brooklyn Bridge, of course.

And finally, Le Jardin des plantes, which I understand to be headquarters of the National Museum of Natural History, which also includes a zoo! :D

Btw, I found that statue pretty cool, both in spectacle, and due to the fact that Lamarck was an early proponent of evolution. (I'd never heard of the guy)

Layout of Le Jardin, showing its four main galleries, greenhouses (it was originally a royal garden for medicinal plants), and all the smaller buildings.

I've only been to Paris once as an adult, and certainly regret not spending time here(!)

BONUS: Maybe a theme song-- https://www.youtube.com/watch?v=tN64qgptQQA

So for me, as I stumble and bumble my way through learning French (mostly through DuoLingo, hey), I'm often thinking about this issue.

Now-- on the surface of things, Modern English is almost exclusively comprised of German & French, and almost every word in these sentences are specific examples of such in terms of direct etymology. Which is a big part of why I've typically regarded French & German as my sibling languages. It's a nice, bright thought, anyway!

Let's take the modern English word "fight"-- WP claims:

From Middle English fighten, from Old English feohtan (“to fight, combat, strive”), from Proto-West Germanic *fehtan, from Proto-Germanic *fehtaną (“to comb, tease, shear, struggle with”), from Proto-Indo-European *peḱ- (“to comb, shear”).

My point is that there's so many ways to run with that over time... in any language whatsoever! Indeed, IIRC there was a "fisten" variation which meant an entirely different thing in earlier German.

But, "shear?" Yes, yes back in my schoolyard days, I wanted to shear my opponent like a little lost lamb, but... I don't think that's right.

So here's my point, assuming you've lasted this far. Modern German in fact split from modern English maybe around ~~800AD? And Modern French, around... perhaps slightly earlier than the Norman Conquest (1066), meaning that even though Modern English is absolutely PACKED full of French & German pronyms, we can't just assume they mean the same thing, anymore, as with the examples above.

It sort of breaks my heart, but it's just reality, non?

The above is Procession, I think?

Me, I just love it.
Now IIRC, Maggie did that one because of a dream about spoons her kiddo had. (must be nice to have such a parent, haha)

Oh, a flier!

Maggie Vandewalle was born and raised just outside of Iowa City, Iowa, in a rural setting. As a child she divided her time between roaming fields and woods, scouring the public library for good books, and forever doodling. Out of high school she received an art scholarship to the University of Iowa, where she worked towards a BFA in printmaking. After several years she took a break from college to explore life without the constraints of school. As time went on, she determined that while school might not continue to play a part in her life, art most definitely would in the form of drawing and painting. Ever since, she has used watercolor or graphite to convey her love of the organic world and that of a really good story:

“While growing up, if I wasn’t outside I spent most of my time with my nose in books. When I look back, the pictures are as clear to me as the stories, they are intertwined in a way that creates magic for me. Because I’m not a writer but love the story, I try to create visual narratives through the use of paint.”

Midnight Revelry, i.e. “Moondance”

Now, me? I don't know if we need to battle over what's more American vs. what's more Euro? (sod that, laddies) To me this is some great stuff that rather exemplifies the heights of both, altho I do find Maggie's last name interesting in that regard, in that it's evidently a classic Dutch / Flemish name.

Straight on Till Morning

In any case, I find her stuff rather wonderful, seemingly referencing England's Richard Adams' Watership Down, the great Polish-American Maurice Sendak, and whatever else, creating her own utterly unique, delightful style in the end.

http://www.maggievandewalle.com/

These are by classic Spanish scenarist Ángel Segura Moreno & artist José Ortiz, about an ultra-cynical survivor attempting to get by in a brutal, post-apoc world:

----> https://imgur.com/a/4u3F2AL <----

EDIT4: Below is page four, which got not-uploaded due to filters, or I-don't-know-what: https://i.imgur.com/nBg2TrI.jpeg

Pardon the short-form, here. I'm dealing with something at the moment, and will get back to y'all.

EDIT: There should be 12 pages in all. Please let me know if anything seems to be missing, so I can re-upload it. I did have to censor one page a little to get by the Imgur filter. Hopefully it worked.

EDIT2: More notes about the series in comments.

@[email protected],
Yo, FP-- if you don't mind, I'd maybe like to put together a little collection of early-Gallagher stuff, not unlike how I went all Nancy recently on the evil empire, haha.

That is to say, the 12 image uploads are here, but of course, commentary is key, mais non? [done deed]

This Moebius tarot deck is by "QuirkyMagic," a pen-name for Englishman Clive Austin. The deck was evidently a handmade, one-off creation for a friend. The rest of the deck can be seen here.

Speaking of which, he also 'Kickstarted' a hand-crafted collection of cards called The Unremarkable Oracle. The idea I believe is similar to the way Runestones, The I Ching, and The Tarot work, i.e. they're all tools with a randomising quality to help one regain momentum in one's life, and perhaps some personal insights.

I find the cards and the concept intriguing, altho unfortunately his "QuirkyMagic.com" site now seems to be down, which is where the deck and a guidebook could once be had for £25. Bugger. Still, for anyone curious, it seems the cards (front and back) and booklet have been somewhat preserved across the Instagram link above, as well as at his general Pinterest site.

(wow, I sure do love to embed dem links, huh?)

Jansson of course was the Swedish-Finnish genius who created the Moomin series for kids, as well as for all-ages audiences. I want to say it drew upon American Charles Schulz' work on Peanuts, in which novel character-types were introduced in a fairly LC-style, exploring just what it is to be a thinking, emotional being, bumping up against others of different variety.

https://i.imgur.com/2ZkJXgV.jpeg

What I really liked about these in particular is that AFAIK, Jansson worked almost exclusively in B&W (not unlike Schulz, classically). So these full-color watercolors just kinda blew me away as a chronic Moomin fan!

https://i.imgur.com/eVbwz3k.jpeg

The story itself involves a girl searching for her lost cat, a fairly standard story-device, I suppose. But along the way she meets some wild & wonderful folks. Again a pretty classic story-device, but what makes this one stand out is the silly poetry, which I'm not sure Jansson had exactly attempted, before.

https://i.imgur.com/NycL9SR.jpeg

TBC-- all of these splash pages feature some amusing Seussian, playful poems underneath them. Here's the one for the balloon trip above:

At this point I'll quote the fadeout of this excellent little book, here:

Tove Jansson (1914-2001) is Scandinavia's best known and best loved children's author. She began publishing sketches and cartoons at the age of fifteen and in 1945 wrote the first in a series of internationally renowned Moomintroll books. The Dangerous Journey (published originally in 1977) was the final Moomin book that she wrote and illustrated, and offers a memorable last glimpse of Moomin Valley. Jansson lived in Helsinki but spent a large part of her life on an island in the Gulf of Finland.

https://www.lambiek.net/artists/j/jansson_t.htm

NO, I'm not trying to go back to posting once per day again, but I just had to share this one. Okay, then? Are we clear on that? *phew*

So, this is evidently un affiche for the 2nd International Salon of the Comic Strip, organized in Kortrijk/Courtrai, Belge, from the 13th-15th, May of 1989, during the annual Sinksenfeesten Festival.

See how many characters can you recognise, and then I'll share the answers below.

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We recognize from the left corner, top-to-bottom:

E.P. Jacobs’ Blake & Mortimer, Dupa's Cubitus, Jacques Tardi's Adèle Blanc-Sec, André Franquin's Fantasio et Spirou (whose legs stick out behind Adèle's head), Jean Giraud’s Jimmy McClure (from 'Blueberry’), Jean Roba’s Bill, Peyo’s Smurf, Willy Vandersteen’s Lambik, Gotlib’s Professeur Burp (from 'Rubrique-à-Brac’), Hergé's Tintin, Albert Uderzo’s Obelix, Morris’ Jolly Jumper, Victor Hubinon’s Barbe-Rouge, Hugo Pratt’s Corto Maltese, Willy Linthout’s Urbanus, JC Mézières' Shingouz (from 'Valérian et Laureline') and Albert Uderzo’s Tanguy (from 'Tanguy & Laverdure').

In the right corner we notice Franquin’s Marsupilami, with Spip the squirrel (from 'Spirou') hanging on the tip of his tail in the left upper corner. Beneath the Marsupilami's legs JC Mézières’ Laureline et un grognon from "Bluxte" (both from 'Valérian et Laureline’) can be spotted. High in the air we see the pterodactyl from Jean Giraud’s Arzach. --LBK & Johnny

Yesterday I ran in to matttt's excellent video exploring this question, i.e. "was Ballad of the Salt Sea (1967) the first GN?," altho to be clear-- it's mostly about the total comics career of legendary Italian artist / writer Hugo Pratt.

TBH, I wasn't really expecting to sit through a 17min video, but "matttt" is just such a great talent, that it wasn't hard. I only wish he covered more Euro comics specifically, but in any case, he's a terrrrific, home-grown comics historian who speaks with passion and precision. (did you like that?)

NOTES: 1) there's a built-in sponsor-ad starting just after 5min that lasts a full minute, 2) If you want to skip specifically to the Corto Maltese stuff, you can start about halfway through, in which matttt gets in to what makes the series so special:

-----> https://www.youtube.com/watch?v=jlIKSeNJrC8 <-----

As for what really was the first GN? Good question. There's an old idea that a bunch of short comics collected in to hardcover format fit this definition, but I'm not sure I buy that. Personally, I tend to think of a 'proper GN' as a long-form narrative that's not just gag-related. So the Tintin albums would fit the bill for me, but in fact there are examples going back to the 1920's, possibly even earlier.

I guess matttt's proposal of Ballad of the Salt Sea as the first GN (in which Corto was only one of several prominent characters) is based on the idea that it was the first (modern-era at least) example of comics in fusion with literature, for what that's worth.

Now, I don't think we need to make war over this stuff; moreso, I find it a fun debate-topic in which to better understand comics as a whole.

Fair?

Hello out there in Inter-land! This is a little side-project for the community. These are some favorite web-games, meant to kill a little time & have a little fun. Emphasis is generally on simplicity over fancy graphics & complicated rules.

(NOTE: most of these will jump to full-screen mode if you click a button in the bottom right corner)

--GAME--	(clickable thumbnail)	--DESCRIPTION--
8VENTURE		An ingenious riff on the classic Atari 2600 game. Unlike the other 'sequels' I've seen, this one reworks most of the elements and gameplay.
Prince of Persia		The mega-classic, pioneering platform game with smooth animation. Note that you can jump levels and boost health by fiddling with the URL.
Super Star Trek 1978 x 25th Anniversary edition		The original Star Trek computer game from 1978, overlaid with lovely pixelated graphics and sounds from the 16-bit anniversary adventure game.
type	has	to
be	in	tables
column 6	6	6

https://www.izneo.com/fr/editeurs/europe-comics-218

I really appreciate how /u/joerst pointed this out to me, and... it seems to be true!

Now, the pic above is from some new-ish book by... pretty much my favorite Euro comics artist ever, i.e. Kerascoët (a brilliant, husband-and-wife team).

Haha okay, and if you wanted to soil your soul by going to Reddit, then here's my big, chonky master-list of favorite comics artists: https://www.reddit.com/r/JohnnyEnzyme/comments/poitvk/who_are_my_favorite_bd_gn_artists/

https://www.google.com/search?q=suske+en+wiske&udm=2

I've never understood why this simple, delightful children's comic keeps getting randomly renamed for evidently zero reason. What the heck, man? "Bob & Bobetter?" "Spiking Suzy?" "Willy and Wanda?" (why not just throw in the dang chocolate factory?) "Luke and Lucy?" (no, I don't want to see that soap opera again)

Daggit, maties-- Suske en Wiske is not that hard to say, it seems to me.

Not unlike James Bond strolling up to the minibar and suggesting something like "Whish-key, no watta."