JohnnyEnzyme

So my French is still very much a WIP, but regardless, I really enjoyed this tome. I found it light-hearted in style, but with a good amount of emotional punch, possessing an interesting slice-of-life storytelling style.

Yeah, there were lots of obvious similarities with Lewis Trondheim's classic McConey / Lapine series, but Durbiano has her own way of telling these tales, not so much alongside Trondheim's humorous-nihilist approach. (hah)

In terms of the story, we start with a minor "rock oldies" band that's been engaged to play nightly on a cruise ship.

https://i.imgur.com/GNf3RO2.jpeg

https://i.imgur.com/qFJtaRn.jpeg

Pretty funny. The group's manager is arguing with "Mick," the singer / lead guitarist about the band's one and only groupie. One who was tacitly invited to come along on the cruise, and naturally, she has an enormous crush on the laddie. Poor, poor inconvenienced Mick. XD

https://i.imgur.com/U9K5c71.jpeg

WHAT were you saying just now? Huh, what, huh?

SIDE NOTE: One of the things which routinely blows my mind as someone who usually can't stand anthropomorphised animal comics is when I barely even notice that such was the case.

Eh, actually I found it completely charming here, serving well alongside such masterpieces as District 14 et Grandeville. TBF, if I can offer up any particular critique here, it's that the book can be ever-so-slightly "soap-operish" in nature. Still tho, it never seemed to wallow in such, as they commonly do.

Oh, and here's some more on this laudable comics gal:
https://www.lambiek.net/artists/d/durbiano_lucie.htm

EDIT: For anyone curious, we're still having a "suspicious glitch" when trying to post images in text. Still working on it...

It's Simon Stålenhag again.

Earlier post on him:
https://lemm.ee/post/30828607

This English story dates to 1734, and was of course later known as Jack and the Beanstalk. But get this-- the story actually seems to have proto-IndoEuropean origins, dating as far back as 4,500 BC(!)

WP has a solid article on this stuff here.

As for the artist:

Scott... is primarily known for his work illustrating children’s classics such as Peter Pan, The Night Before Christmas, and the more recent titles, Classic Fairy Tales, Favorite Nursery Rhymes from Mother Goose, Classic Bedtime Stories, and his novel for young readers, Eddie: The Lost Youth of Edgar Allan Poe, which he wrote and illustrated.

More of his work on "Jack" is here and some of his fairy-tale works are there, which also link to his overall art portfolio.

Style-wise and theme-wise I find some similarities to the work of Kit Williams, who I briefly covered in a post here from six months ago: https://lemm.ee/post/16931863

Is too much texte, maybe...!?
Lewis OfMan

https://i.imgur.com/OWwp3Qz.jpg

https://lemm.ee/api/v3/image_proxy?url=https%3A%2F%2Fi.imgur.com%2FOWwp3Qz.jpg

So this is Nävis ("NAY-vee") from my favorite long-form sci-fi series Sillage ("Wake"). It's about a human girl who was the only survivor of an interstellar ship crash, who grew to adulthood with the help of one surviving robot and a sort of orphaned tiger-cub who grew up alongside her.

Eventually, she's discovered by the travelling collective "Sillage," which immediately turns her life upside down, but unexpectedly she proves uniquely valuable to the collective-- her human mind simply can't be read by the best telepaths in the galaxy, making her primo material as an espionage agent, particularly since she grew up in fairly savage circumstances. It's all a bit of a super-creative riff on the classic Tarzan formula, I find.

More on the wonderful Sillage / Wake albums:
https://sillage.fandom.com/wiki/Sillage_(comic_series)

Side note: I get the feeling that her bird friend here doubles as a little homage to John diFool's Deepo!

NOTE ALSO:
I've been having some pretty weird problems posting here since I publicly critiqued Lemmy.ML the other day. Let's assume it's just a total coincidence for now, but at the moment, it looks like I'm not allowed to share extra images in the body of my posts.

This page comes from a couple years ago.

So-- clockwise from L, we have my unfinished attempts at the letter "E," from an illuminated manuscript, one of the industrial fans from my apt-building rooftop, an inflatable cactus creature, and a doodle-space that a couple kids filled in at the local cantina.

At this point I'd switched from watercolor / gouache to straight-up watercolor pencils, mainly due to ease-of-use and declining health. In theory I found watercolor pencils a generally wonderful idea, but one fraught with complications and hardships, such as the reality that, daggit... the color markings one makes with the pencils really want to stay RIGHT where they are despite all the coaxing in the world from wet brush-strokes. Bah...

Still, I'm naught but a noobie when it comes to watercolor pencils, so please do take that as a grain de sel.

The last quarter-sketch (the one the kids did) embarrasses me a little bit and makes me laugh, both. Indeed, if I ever publish my 'great non-fiction' bookend, I'm planning on naming it Faces and Phalluses, directly in reference to the super-amazing ability of the human brain to recognise faces and reproductive organs in almost any possible chaos of an image.

I love this mashup of styles, in which I'm seeing both Mucha, ancient art, ancient architecture and Jordans on the feet!

My only frustration is that try as I might, I haven't been able to find the original artist. Using reverse-image searches I've been able to come up with a couple names, like "Ely Ferreras," "Samuel Huynh," and others, but so far it seems like maybe they were just people who shared the art on their social media streams. Or maybe "Ely Ferreras" is actually the name of the subject / piece?

Bahhhh, I don't know.
Anyway, you'll get a gold star from me if you can definitively solve the mystery via your internet sleuthing skills. 😀

So I'd been building up this little collection over time, wondering when I might best introduce it, when it hit me today that, holy heck-- it's Pride Month, after all!

So then...

https://i.imgur.com/lBa1EAd.jpeg

Me, I've been pretty fascinated with ancient Greek and other pantheons since I was a sprat. At one point in my early journals, I even ascribed actions of mine to various Greek gods, like Helios the Sun god, Apollo, Janus, and Athena...

https://i.imgur.com/dvrh1MP.jpeg

Those are frankly some silly-ass journals, but what can I say?
The things we once held dear as kids, amirite? :S

https://i.imgur.com/7pAUUaK.jpeg

Anyway, I love how some modern artists like Petela are such absolute bosses at mixing up modern art techniques & sensibilities with ancient, authentic art, such as the Minoan-inspired piece above.

https://i.imgur.com/W6PHaBo.jpeg

Well, that's an interesting... moustache? :P

https://i.imgur.com/wzzZgly.jpg

https://i.imgur.com/jRCJzjH.jpeg

https://i.imgur.com/pEKaART.jpeg

Honestly? I don't really know much about Alexander Petela, but I do gots some links, hey!
https://alexandriad.tumblr.com/
https://www.redbubble.com/people/AlexanderPetela/shop

Here's a nifty, noirish 5-tome series originally published by Epsilon / Verlag. The author "Erik" is a German graphic designer who seems to have worked outside the typical comics publishing format, and as a result I find there's a certain unconventionality to both his art and storytelling. Style-wise, the Dédé books remind me of Blacksad and Jérôme K. Bloche in that they're all a fairly casual mixture of pastiche and tribute to the genre, with traces of satire thrown in. This one happens to be my favorite of the three, having good pacing, wry humor, and being the least pretentious.

Almost an obligatory scene, but here's how it's handled in this series.

It's usually raining in Dédé's world, because of course.

Here we see our detective's usual haunt, the café below his apartment.

...His girlfriend Yvette and a shot of his standard-issue office.

These come from his first adventure, which has some horror overtones. Dédé's hired by an anonymous caller to check on a series of elderly ladies, all of whom he discovers to not only be deceased, but somehow mummified as well(!)

At this point I want to mention the art. While it has some 'LC' characteristics, it's also cartoonily expressive, visceral, and perhaps even self-indulgent. Facial expressions are usually over-exaggerated, female characters are built from the same toolbox, and color gradients are downright nonexistent. To be fair, the rather monotone color scheme is clearly meant to stack on the 'noir' concept, and does so pretty nicely. And while I'm nitpicking individual qualities which otherwise might annoy me, I did find that on the whole, the art works quite well. Some won't like it of course, but that's also where Erik's unconventionality comes in, which is worth a couple bonus pts for originality, I think.

Alrighty then...

Like Rodney Dangerfield, Dédé's typically in short supply of respect.

Speaking of the art, I like the isometric framing here, complete with angular rain. In terms of this particular adventure, someone's been leaving body parts around a little resort town. The inset faces represent some of the onlookers who might double as the perp.

Another almost obligatory scene. Despite his generous build, our detective's not really a fighter, and has been worked over hard. Now he's headed home. Unfortunately he has to pass the café on the way there, and it doesn't go well.

Still, he can put his foot down when necessary.

Unfortunately, there's not a lot of info out there about "Erik" and this series. It seems to have been translated to Dutch, but I'm not sure what else, nor where to get it. Scanlations perhaps, if you're in to digital comics. The GCD has a little info, if that helps.

OTOH, Erik's site is still up, and he generously offers six-page previews of all his books, provided you can read German. There's also more about his background:

https://www.eriks-comics.de/

First of all, major thanks to @[email protected] for this brilliant community and their tireless efforts to share beautiful art. <3

Me, I happened to spot this piece at the evil empire the other day, did some searching, and found that it hadn't been shared here, before. Well then, well then..!

It was during his time in the western Pacific in 1944 as a combat correspondent with the United States 1st Marine Division during the invasion of the tiny island of Peleliu that Lea would really make a name for himself among the readers of LIFE. "My work there consisted of trying to keep from getting killed and trying to memorize what I saw and felt," he says.

Lea's vivid, realistic images of the beach landing, and Battle of Peleliu, would impact both readers and himself. The Price and That 2,000 Yard Stare would become among his most famous works. (1,794 Americans died in a two-month period in what many call the war's most controversial battle, due to its questionable strategic value and high death toll). --WP (click there for hi-res version)

As an alt, here's a more florid version of the color scheme that I chanced upon:

If that doesn't show up for some reason, the page link is here. I just happened to bump in to his work on Tumblr, the other day.

He's uploaded a lot of cool, sketch-like animations recently:
https://b-liba.tumblr.com/

A fun mix of familiar artists, characters, personalities, and... the obscure.

This is zoomed in and upscaled from the event poster, with the exhibit running to the end of August 25th, 2024. The museum is located at rue des sables 20-1000, Brussels, Belgium.

https://www.comicscenter.net/en/exhibitions/the-great-temporary-exhibitions/le-lombard