askryan

She also said the "clever boy" thing while essentially wearing Clara's Face the Raven outfit, then ends the episode in Romana's coat. She's definitely trolling the Doctor/us but who knows why. I'd be fine with any reveal as long as it's not the Master - I would be perfectly happy for him to stay in that gold tooth forever.

This is heart-shattering because I would do anything to see the goofy bug people from The Web Planet make a return

I love this show, but I do not understand how they cannot create a uniform that doesn't look like pajamas (the Cerritos-style uniforms Janeway and her crew wear look great though). The weird gray they seem to be enamored with looks so silly.

What a bizarre three ships to start with

Real M'Benga erasure here

Bonnie Langford is a treasure. Inject "camp as hell" Doctor Who straight into my veins.

I have to say, I did not have "canonizing the Shalka Doctor" on my Doctor Who bingo card for this series

The companions are an issue –– though Graham and, to a lesser degree, Yaz are great when they are permitted their few minutes of personality every so often. It's simply that the show cares a lot less about reasons for them all being on screen than just putting them there and having them say some lines to fill up an hour of television.

But I think Elizabeth Sandifer's brilliant essay over on Tardis Eruditorum about the episode Kerblam! from 13's first season is an excellent distillation of the issues with the Chibnall era, one of the best pieces of writing about why the whole thing is so uncomfortable.

I struggle to think of a Trek character more Star Trek than Saru. DSC has its (sometimes severe, sometimes not) flaws, but it has an impressive track record of occasionally absolutely nailing how to make some of the trekkiest Trek characters.

It's going to be interesting where the series ends up in the inevitable reevaluation once a few years have passed.

Just upfront, hopefully not here (you never know) but definitely elsewhere, you're going to run into a lot of the usual bigots telling you that DOctor wHO EnDED wiTH cApaLDi. Coincidentally, the end of Capaldi's run basically dovetails with when social media algorithms started giving these people brain worms, so everything after that is wOkE gArBaGe while everything before it, with exactly the same messages and techniques, is galaxy brain stuff. They can't deal with a woman or Black man being on screen so just ignore them, please. (That said, the Thirteenth Doctor's run is...not great, but certainly not because of those reasons.) If you are concerned about things like a "woke agenda" then Doctor Who is very, very much not the show for you - this has been an important part of the show's DNA since the 60s.

I've loved Doctor Who for thirty years, and seen nearly every episode of every Doctor. The thing about Doctor Who is that it's goofy and campy, and that ends up with it being dated sometimes, sometimes moreso than other shows. This isn't a bad thing! It's charming and fun, but depending on the kind of viewer you are, that might mean that you want to start with the current series (it's loads of fun and the current Doctor and companion are exceptional), and then watch the older ones in context.

However, that's going to get you only about six episodes so far. If you really want a project, I'd say start with the 2005 series (the Ninth Doctor) and go from there. You're going to run into quite a bit that's very early 2000s, but the fun, camp, and drama, are all on display. I know others will say you can start with the first series of the Eleventh Doctor, but to me you'll run into a really turgid arc of the showrunner tediously and self-referentially mystery boxing over and over far too soon. This is stuff you ignore when you've been watching for a while (or can skip) but it might demoralize you to get into it and then get to molasses so soon.

The classic series are very different - not in terms of story, but format. I love them, I started with the Fourth Doctor, but it's not to everyone's taste. They are shorter arcs or four or six twenty-minute episodes, with drastically lower production values and slower pacing. One of the best stories involves the Doctor fighting essentially spray-painted green bubble wrap on a set that sort of looks like a bathroom. If you're up for it, it's wonderful, but it's very different visually and structurally than modern shows.

They're also paying attention to when they need to renegotiate contracts. After the strikes, studio leadership has really doubled down on not giving an inch on writers' and actors' salaries even if it means cancelling a successful show. It's more valuable to them to keep workers in a state of perpetual gig work than anything they'd make from the show.

I loved this issue. If they ever decide to canonize anything in the comics, I hope it's this one.