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With new jack swing falling out of favor by the mid-’90s and Lisa “Left-Eye” Lopez dealing with personal struggles that kept her away from the group for extended periods, TLC found ways to mature their sound on their sophomore album. Reuniting with Babyface, Jermain Dupri, and Dallas Austin while adding contributions from Sean “Puffy” Combs, Organized Noize, and Chucky Thompson, they bumped up the hip-hop and soul vibes to utter R&B perfection on CrazySexyCool.

At the same time, they helped spur a sex positivity movement that still evolves today by tackling romance from numerous angles: the tryst of “Creep,” the sweetness of “Diggin’ on You,” the XXX of “Red Light Special.” In between, they delivered one of the most enduring cautionary tales of all time in “Waterfalls.” CrazySexyCool was the R&B album of the decade. Today, it stands as a testament to confident womanhood, a statement sealed in the record books as the best-selling album by an American girl group ever and the first to reach Diamond status. — B. Kaye

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There is an alternate universe that exists where Wilco never releases Yankee Hotel Foxtrot, an album that would not only secure the band’s place in rock history, but would fundamentally alter the landscape of the music industry at the turn of the new millennium. Yes, this record is awash in mythology and backstory, best encapsulated in Sam Jones’ I Am Trying to Break Your Heart, which just so happens to be one of the best music documentaries of all-time.

But YHF endures as a classic over 20 years later less because of that lore and more because it’s a collection of songs that’s so damn strong. Jeff Tweedy channels all his anxiety and self-consciousness into songs like “Ashes of American Flags” and “I Am Trying to Break Your Heart,” complementing those heavier tracks with the warm nostalgia of “Heavy Metal Drummer” and heart-on-your-sleeve romance of “Reservations,” which features a lyric that’s devastatingly direct: “I’ve got reservations about so many things, but not about you.”

The genius of Yankee Hotel Foxtrot is the decision to add layers of feedback and field recordings and noise and distortion on top of Tweedy’s folk and country and indie rock songs, leaning into the experimental to such an extent that the record dispatched the “alt-country” label that had dogged the band since its founding. From start to finish, Yankee Hotel Foxtrot mesmerizes and beguiles, and somehow manages to sound like both falling in love and the end of the world. It’s untouchable. — S.D.

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Meta just released Threads, a Twitter clone that is promised to be compatible with ActivityPub in the future. You sign up with your Instagram account and have the option of bringing in the people you follow there, even if they haven't a Threads account yet.

I'm planning to upgrade to 0.18 today and move the storage to S3, so I'll bring the instance down between 5-6pm PDT.

Update: this took longer than I expected. I started at 6pm because of work. I shut down the instance and took a snapshot, then brought it back up and upgraded to 0.18. The upgrade worked fine. I brought the services down and configured the instance to use S3 for object storage. That required migrating existing objects to an S3 bucket, which took quite some time. Then, after bringing the services back up again I got a "Server error" message. Unfortunately I had to stop at 8pm since I had something scheduled. At 9:15pm I was able to bring the services up successfully, and we're back!

Update 2: turns out we hit this bug, and the instance was down around 11pm. I changed the hostname of the instance and now it seems to be working fine.

After making a name for themselves with their self-titled debut, System of a Down reached new heights with their sophomore album, 2001’s Toxicity. Melodic, chaotic, and downright hypnotic, the album expanded the boundaries of heavy music. The frenetic “Chop Suey!” became one of the most bizarre hits of all-time on rock radio (even with Clear Channel temporarily removing it from airwaves after the September 11 attacks), while songs like the crushing title track and the haunting “Aerials” also served to propel the album to multi-platinum status.

Sounding like no other band before them, Serj Tankian’s operatic vocals soar over Daron Malakian’s complex musical compositions, with Shavo Odadjian and John Dolmayan forming a relentless rhythm section. All told, Toxicity stands as one of the finest works of heavy music in the 21st century, if not all time. — S.K.

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"50/90" is a challenge that started decades ago on Yahoo! Groups, with the goal of writing 50 songs in 90 days. It starts on July 4th, and goes til October 1st. These days the challenge is hosted on the FAWM website.

I know you're probably thinking "there's no way I can write 50 songs in 90 days!". And yeah, it's not easy, and usually less than 10% of participants make it to 50. I've been doing the challenge since 2016, and in a few years I wrote only 3 songs.

The important thing is that if you write one more song than you'd normally write, you're already a winner! 50/90 is an incredible supportive community, with prompts and challenges for inspiration. It's a great way to get feedback on your songs, and to practice finishing songs!

The website is live, and the challenge starts in a week... who's up for it? 🙂

How is everyone listening to music these days?

I use YouTube Music almost exclusively, since I like having YouTube Premium and Music comes for free. But it's not the best experience.

For indie artists I buy their music on Bandcamp and listen there, but I was thinking if I should download all the files from Bandcamp and upload to YouTube Music, so I can listen to everything in a single place.

Bespoke is an amazing free modular synthesizer. Check out this video explaining how it works... it's an amazing product of love from the developer.

This album was created over the past few years by two artists in two different hemispheres who connected over a mutual love of music. The goal was to create a cohesive work from two different corners of the globe. The result is 'Antipodes'.

The Mellotron’s debut took place just at the time that the mystical and the mind-bending was trending in rock music, materializing in records like Cream’s Disraeli Gears, Pink Floyd’s The Piper at the Gates of Dawn, and Sgt. Pepper’s Lonely Hearts Club Band. Once a bug, the variations in sound afforded by finicky analog technology were now a positive attribute of the Mellotron: The ghostly, uncanny quality caused by natural wear on the tape or external irritants created a perfectly trippy ambience on songs like “Nights in White Satin,” from the Moody Blues, the Rolling Stones’ “She’s a Rainbow,” and Bowie’s “Space Oddity.”