this post was submitted on 13 Sep 2023
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Here's a list of tons of leftist movies.

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Scooby Doo, Where Are You! is the first incarnation of the long-running Hanna-Barbera Saturday morning cartoon Scooby-Doo. It premiered on September 13, 1969 at 10:30 AM EST and ran for two seasons on CBS as a half-hour long show. Twenty-five episodes were produced (seventeen in 1969-1970 and eight more in 1970).

Scooby-Doo, Where Are You! was the result of CBS and Hanna-Barbera's plans to create a non-violent Saturday morning program, which would appease the parent watch groups that had protested the superhero-based programs of the mid-1960s. Originally titled Mysteries Five, and later Who's S-S-Scared?, Scooby-Doo, Where Are You! underwent a number of changes from script to screen (the most notable of which was the downplaying of the musical group angle borrowed from The Archie Show). However, the basic concept—four teenagers Fred, Daphne, Velma, and Shaggy, along with a large goofy Great Dane, Scooby-Doo, solving supernatural-related mysteries—was always in place. Character development was not a major focus of early sitcoms (especially animated cartoons), so little was offered about the personal lives of the Mystery Inc. members before the show, aside from the obvious (i.e. they are high school students). Also, each episode is a self-contained story, with connections to previous or future episode. (A story arc for the franchise did not exist until Scooby-Doo! Mystery Incorporated, which is essentially a reboot with everything that WAY didn't have or wasn't allowed to.)

Writing

  • Scooby-Doo creators Joe Ruby and Ken Spears served as the story supervisors on the series. Ruby, Spears, and Bill Lutz wrote all of the scripts for the seventeen first-season Scooby episodes, while Ruby, Spears, Lutz, Larz Bourne, and Tom Dagenais wrote the eight second-season episodes. The plot varied little from episode to episode. The main concept was as follows:

  • The Mystery Inc. gang turn up in the Mystery Machine, en route to or returning from a regular teenage function when their van develops engine trouble or breaks down for any of a variety of reasons (overheating, flat tire, etc.), in the immediate vicinity of a large, mostly-vacated property (ski lodge, hotel, factory, mansion, etc.).

  • Their (unintended) destination turns out to be suffering from a monster problem (ghosts, Frankenstein, Yeti, etc.). The kids volunteer to investigate the case.

  • The gang splits up to cover more ground, with Fred and Velma finding clues, Daphne finding danger, and Shaggy and Scooby finding food, fun, and the ghost/monster, who gives chase. Scooby and Shaggy in particular love to eat, including dog treats called Scooby Snacks which are a favorite of both the dog and the teenage boy.

  • Eventually, enough clues are found to convince the gang that the ghost/monster is a fake, and a trap is set to capture it.

  • The trap may or may not work (more often than not, Scooby-Doo falls into the trap and they accidentally catch the monster another way, usually if the plan is explained in detail before attempted execution it fails). Invariably, the ghost/monster is apprehended and unmasked. The person in the ghost or monster suit turns out to be an apparently blameless authority figure or otherwise innocuous local who is using the disguise to cover up something such as crime or a scam.

  • After giving the parting shot of "And I would have gotten away with it too, if it weren't for you blasted meddling kids" (sometimes adding "...and your stupid dog!"), the offender is then taken away to jail, and the gang is allowed to continue on their way to their destination.

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[–] [email protected] 19 points 1 year ago (1 children)

Trying out classical music and it's just noise. Not real music like Avril Lavigne's Sk8r Boi.

[–] [email protected] 1 points 1 year ago (1 children)
[–] [email protected] 1 points 1 year ago (1 children)

That's right mother hubbard we're orffpostings get on your knees and prepare for auditory transcendence OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOH FOUR TUNA!

[–] [email protected] 1 points 1 year ago (1 children)

I want to be clear; I have no fucking idea what Carmina Burana is about. Do not tell me. I will not be burdened with such knowledge. Context would dilute the purity of the experience.

Are you 4"11, 250lbs, and square? Do you have a beard for your beard, use a battle ax for mundane kitchen tasks, and need alcohol to get through the working day? No. YOu don't. Because you're not a dorf. Play us off Peer Gynt

[–] [email protected] 1 points 1 year ago (1 children)

Oh you think your Bulgarian Screamcore Post-Death Hyper-metal goes hard? That's cute. But real badasses listen to Holst. Here's Mars, Bringer of War

[–] [email protected] 1 points 1 year ago (1 children)

This track is called Day of Wrath. A ritual cannibalism cult plays it at the funeral rites of their dead while their god looks down on them from a giant torture device.

[–] [email protected] 1 points 1 year ago (1 children)
[–] [email protected] 1 points 1 year ago

I bet you didn't know the keyboard guy was also doing this