Horror movies

Writer-director JT Mollner shuffles the narrative deck with this macabre, ingenious serial-killer horror whose chapters are shown out of linear order. Each storytelling card is dealt with insolent provocation, a swaggeringly unhelpful contribution to the issues of sexual politics that we see male and female arresting officers debate at the very end. It recalls the look of movies made four or five decades ago; shot on 35mm film by actor turned cinematographer Giovanni Ribisi, it is a grisly shocker sporting with misogyny and the final-girl trope. There’s something of Tobe Hooper her, with an eerie “split diopter” camera shot in the manner of Brian De Palma (showing a looming face in closeup and an equally focused figure way behind) and a terrified woman at the wheel of a 1978 Ford Pinto (the car featured in the 1983 Stephen King chiller Cujo).