Inspiriert von diesem Teil auf thingiverse gelandet. Das finde ich tatsächlich witzig.
Und dann fiel mir der Thread hier wieder ein...
Dwayne
joined 1 year ago
I read further down that a user even has a dedicated playlist for these kinds of songs. I should probably start my own.
And I'm afraid this thread is going to keep me busy for a while...
Here are a few examples from my "favorites" playlist:
Youssou N'Dour - Undecided (Japoulo)
Neulich auch gelesen. Der Experte im Artikel ist Mitglied einer Beratungsgruppe für das Verkehrsministerium. Automatisiert wird hier vermutlich erst mal gar nichts, auch wenn das bei der Bahn plausibel und machbar(er) erscheint.
Aber was lassen denn deine Nachbarn und Freunde so drucken. Oder was sind die teuren Plastikersatzteile, die ihr nun nicht mehr kaufen müsst? Vermutlich fehlte es mir bislang lediglich an Fantasie?!
Es half mir zumindest mich mal kurz hinzusetzen und mein Profil etc. zu löschen. Gerade noch feierlich den Eintrag aus dem Passwortmanager entfernt 😌
Einzig richtige Antwort
If I remember correctly people said Medium is very limiting and confusing when it comes to ownership of your content.
It seems they can re-use (as in publish) your original content elsewhere, like publishing it in a book.
What I especially dislike is the registration enforcement (register! Use our App! Become a member!).
There are some sources in my feedreader from Medium and they become less and less usable.
Something I stumble upon more often recently is Substack. Actually intended to be a tool for offering paid content and a newsletter publishing tool, I think, but the user experience is much more pleasant. They ask me to subscribe to the publisher's newsletter each time, but don't prevent me from going further, if I decline.
Also getting some attention recently is the indieweb movement. People intentionally publish on their private websites, running on various different platforms and techniques. It's quite interesting to observe and it seems there is a focus on a more tech-savvy audience and publisher group, but I might be wrong.
I enjoy playing it in single mode quite a lot now. But it worked well in a corporate mode as it was labelled earlier, too.
I only knew the video game by name and because of some images I saw. Therefore I wasn't aware of the campaign mode. Naturally this requires to play the game in a certain group more often, which doesn't seem to be an issue for OP, though.
That's exactly the group of people where I enjoy playing it quite a lot, too. Ticket to Ride Europe is now also family-owned.
... dem Nudelzensus ihm seine Ergebnisse wartend ☝️