Far too coherent. There isn't even any random tangents.
Stardew Valley is a good one, but I definately wouldn't consider Terraria casual or low-stress.
Except you've given no reason you shouldn't play those games, nor any reason to think that everyone can afford the games they play and instead resorted to personal attacks because I think its not unreasonable to play a game for free when the publisher asks for a month's salary for it (or for part of it). You're ignoring all the points I put forward, and examples I give showing that people can't afford the access price and just declaring everyone entitled for wanting media. But no, you're right, all these poor people are just entitled, anyone who doesn't have money to pay the asking price should stop thinking they're better than these poor, poor investment companies and just accept that some culture just isn't for poors like them.
You're completely ignoring the point. Those games often are available, just not in the same form, or from the original developers. You either buy a switch and play a locked down, emulated version, or you buy a used copy for a fortune. Either way, the original Developers get nothing. Similarly, you might want to have your own copy of a game, rather than a rental than can be taken away or destroyed at any time for any reason. You can count that as "not legally available", sure, but at that point you're arguing its fine to pirate almost anything released in the last decade - anything older than that also doesn't support your argument unless its a small indie studio that hasn't been bought out, since devs are usually laid off or forced to move. Even ignoring that, which is relavent, you're ignoring the fact that games now often cost well over a hundred dollars to get the complete game, during an economic crisis. I can get a Steam Deck right now for the price of Lego 2K Drive (with the missing content), the Sims 4 with a couple a DLC items, and Assassin's Creed Odyssey. Even as someone who is in a pretty good position financialy, I can't justify buying games like this, nonetheless if I had a rougher start or was in a higher cost-of-living area. Look at areas where income is lower and it becomes even more apparent. Theres a reason places like Brasil, Russia, and Eastern Europe are known for piracy and Canada or Western Europe are not. Its also why people tend to pirate a lot as a teenager but not as an adult. When an individual has money (and the official version isn't actively trying to screw over the customer) they are willing to pay for the product. Once people are adults, or when they're given access to games within a price they can afford (IE regional pricing) they'll start actually paying. These options wouldn't exist if that weren't the case. On the other hand, when the cost of living is skyrocketing, as it is now, and people are struggling to even afford food and rent, they won't chose to spend all their rent money buying Sims DLC and will simply pirate it.
The reality is that most digital piracy is perpetuated by people who are well-off and have lots of tech, access to broadband internet, and high-end gaming computers.
Yes, piracy is for rich people who should just be buying games. Thats why we only see it in places like Western Europe and North America, whereas places like Brazil and Russia just buy all their games. Thats why in these places, they have N64s in every house to support companies making great games like Rareware, unlike filfthy pirates in the rich countries. If the rich first-worlders would stop being greedy and just pony up a few hundred in microtransactions a month during this economic crisis, then publishers wouldn't have to remove games from your library as often.
Yes they should. Unfortunately, we live in a very unequal world, so a lot of people don't have any way to reward artists for their work. In those cases, the most they can give is attention and word-of-mouth advertising. Often, thats better than buying it, considering how frequently you have corporate owners who force the artists out and/or destroy the game shortly after its published. At least in those cases, the artist gets something rather than it all going to an already-rich investor.
But it doesn't cost their time and effort. Time and effort has already been spent, and as a result, the media exists. Someone playing a copy of the game has no effect on the developer (except maybe advertising).
Personally, Im more of a creative-mode player at the moment so the majority of the problems don't affect me. Its also been a couple months since I last tried Minetest (mostly on Mineclone). From what I remember, my personal dealbreakers were:
IMO much uglier graphics, and more significantly, its harder to graphically customize with mods and resource packs. Maybe its more versitile than I'm giving it credit for, but at the very least, its not used as there aren't enough modders and artists making content for the game to even remotely compete.
Performance - Minecraft may not be optimized, but I was getting much worse performance on Minetest. In particular, I was getting massive frame drops any time I placed or broke a block, making it extremely nauseating to play.
UX - There were a ton of small roadblocks to actually playing the game as I wanted to. First, customizing the graphics settings - the menu was disorganized and defaults were really weird for my hardware. Then, I had to find and edit the permissions file to be able to fly and sprint on my creative world. Even after that, if I remember right, the controls or flight movement were limitted or weird but in a way that couldn't easily be fixed.
Lack of world editting commands - Im sure theres mods for this one, but its more work to find, figure out, and set up and by the time I got to this point, having to put in even more work just to make the game comparable was a dealbreaker.
Minetest isn't really a substitute for Minecraft. Yes, its similar, but its far less polished, lacking in content, vanilla and otherwise, and is missing a lot of the technical functionality that makes much of Minecraft's content (esspecially on the modding side) possible. Don't get me wrong, I want to like it, and I've debated trying to contibute to it myself (although my skills are very lackluster) but as it stands its only really a substitute in the context of things like casually playing Pocket Edition.
I'd personally say its like a 7 or 8/10. Its probably the most mechanically varied and deep PvE focused survival game, but at the same time, it does really feel incomplete. Building lacks options, end-game content is often finicky or tideous, and performance issues can make the game near unplayable in enemy-dense regions.
The joke itself isn't off-brand, but the fact its dragged out for so long is. Borderland's humor isn't exactly clever, but its at least fairly fast paced so you aren't left sitting there on the same awful joke.
Also, keep in mind that if they're including this in multiple trailers, they think this is one of the highlights of the movie - that is the more concerning point.
Heres a weirder one no one else has mentioned yet: I've heard art described as a way to express and emotion, and I really felt that with Hotline Miami. Its not done through the story or setting (in fact, the intentional ignorance there adds to it) but rather the contrest between the hyper-violent trance as you play through a level, and then the sudden cut of the music as you quietly walk past the mountains of bloodied corpses back to your car. I feel that shift, when you first notice it, really emphasises the pointless brutally of it far more so than many much more heavy-handed attempts in other games.