janonymous

joined 1 year ago
[–] [email protected] 6 points 7 hours ago

I think there is enough precedence to come to the belief that remakes are bad in and of itself. Big movie companies do like to put their money in already established or at least known franchises or names. This leads to them forcing a movie they think should make money rather than letting the creatives follow their passion, which may or may not lead to better movies. And then there is also the typical knee-jerk online reaction in play here. People like to be dismissive and jaded about things. I think it's partly because we have a lot of reasons to be jaded, but it's also because it's easy and it makes you feel smarter. I believe in most cases people aren't actually informed enough to form a real opinion, they just like to shit on things online to make themselves feel better.

In my late teens and early twenties I had a phase where I basically disliked every new movie. I thought old movies where perfect and new movies where all just cash grabs with the exception of indie movies. After a bit of growing and working in a creative industry myself, I now know that this is bullshit. There are lots of reasons why movies turn out bad, but in most cases the people working on them are trying their best and genuinely want to make something great. With that in mind I've become much more open and appreciative. It's so easy to shit on things online. It is very, very hard to make a movie, even a bad one.

Sure, sometimes the movie turns out bad and yes the chances of a reboot, remake, sequel or prequel to be bad is higher. But it might also turn out to be a great movie in it's own right! To be honest lots of old movies did not age well and could use a remake. If you don't like it, the original movie is still there for you to watch instead.

[–] [email protected] 1 points 1 day ago

I doubt enough people realized this for this effect. I'm not a huge Star Wars fan myself and this went completely over my head. I don't doubt that dedicated Star Wars fans picked up on it immediately, but most probably only heard of it from these. I see that a lot online. People decide to hate a piece of media even before it airs and then collect reasons for it after the fact.

But that's just my guess, anyway. I haven't watched The Acolyte farther than episode 4 or 5, but not because of anything specific. Just didn't grab me to keep watching. I thought I'll come back to it eventually, but now that I know it's canceled I probably won't.

[–] [email protected] 3 points 2 days ago

I just realized I didn't respond to your hearing issues: I generally don't think that these would be a problem for learning martial arts. Of course it depends on your teachers teaching style, but generally they show you what to do and that is the most important part. They might have a metaphor or say for how long the next training sections go, but if you can read lips, you should be fine. The essential stuff you can only learn by watching and doing it yourself.

At first it's hard to follow what's being demonstrated, but you will get better at that fast. The beginning is always hard and you will feel like you're slow and clumsy and stupid, because everybody else doesn't seem to have trouble. That is completely normal and everybody there knows it, so don't worry! As soon as you've had more practical experience your mirror-neurons will help you translate what you see into what you need to make your body do.

Also if you let your teachers and training partners know you're hard of hearing, I'm sure they will be happy to accommodate. Everybody is there to improve and help others to improve as well. If they aren't, that's a huge red flag. Go find a better gym.

[–] [email protected] 15 points 3 days ago

I trained Aikido for 10+ years, but that's now also 10+ years ago. Aikido used to be pretty well regarded and was hyped for some years thanks to being featured in martial arts movies and Steven Seagal in particular. Unfortunately, with MMA fights becoming popular, people realized that a lot of "traditional" martial arts where more art than actual fighting. Over time Aikido became a laughing stock among martial arts enthusiasts. This process was again helped by Steven Seagal, who -as the defacto face of Aikido to the rest of the world outside japan- just got more and more ridiculous and heinous in his statements and actions.

This is all very unfortunate, because Aikido is a really fascinating and cool looking martial art. To this day a lot of the throws in action movies (for example in the John Wick franchise) are actual Aikido techniques. (Some traditional Ju-Juitsu practitioners might argue that it's actually JJ, because Aikido has adopted a lot of techniques from JJ and Judo, but I would disagree, looking at the way they are applied. In the end that's just a nerd argument either way.)

Aikido was developed by Morihei Ueshiba, a man with a fascinating history! It grew with his physical, spiritual and philosophical development from a straight forward, practical combat system (at the time called Aiki-Jutsu) into a non-violent, spiritual martial art (then called Aikido). One of the reasons there are very different kinds of Aikido practiced today, distinct in how violent and spiritual they are, is that their masters studied at different times under Ueshiba, who continually became softer and more spiritual with his age. However, although developed decidedly after the time of the Samurai in Japan a lot of the techniques still focus on disarming people carrying swords or reversely focus on attackers trying to prevent you from drawing your sword. This means most of the attacks trained in Aikido are people grabbing your wrist and then not letting go, which looks weird if there is no sword. This also limits the practicality. Towards the end of Ueshiba's life his focus was not to teach a system to defend yourself anymore. His goal was to unite the world spiritually through Aikido, literally. He sent his top students out into the world often in countries, which languages they don't even speak, to teach and spread Aikido. Not to gain money or fame, but genuinely to make the world a better place by helping people to spiritually grow through the practice of Aikido.

What and how Aikido is practiced varies depending on the style and your teacher. It goes the extreme from what is called practical Aikido, which is still dedicated to self-defense, to styles that are practiced solo in the form of Katas, resembling what you might see from Tai-Chi or Qui-Gong practitioners in the park. Generally, it is practiced in pairs with a so-called "cooperating" opponent (as opposed to an "resisting" opponent as would be usual for Ju-Juitsu). Actually, in Aikido we don't speak of an opponent. There is only a "giving"/"throwing" and a "receiving"/"getting thrown" partner, because Aikido is supposed to be peaceful. I'll still call it opponent or attacker here, though.

The central idea of Aikido is to embrace and merge the attackers energy with yours and then redirecting it without harming anyone, breaking only the attackers balance and/or throwing them. This is of course a very high-level goal. Basically you're trying to skip all the nitty-gritty, violent, messy fighting (that Ueshiba did learn and teach extensively back in the day) and concentrate on the end goal of non-violently dissolving confrontations. Assuming that with enough training this goal can be reached, it means you will not be able to use most of what you practice in a real-life fight until you pretty much have "mastered Aikido". Then you will, supposedly, be at such a level that you can defend any attack peacefully. Most Aikido practitioners are wise enough not to test this out, mostly because they prefer peace and harmony and aren't training to prove anything. Most Aikidokas I know are training to better themselves, but there will always be exceptions. The teachers I've trained under did not make Aikido out to be about self-defense at all. When questioned by new students they usually say, that it might help you a little, but this is not what we train here.

Practicing Aikido will help you get in better shape, improve your health and especially your balance. Aikido practice will teach you how to properly roll and fall, which -at least where I live- will come in handy much more often than fighting skills. It is also a lot of fun to practice and it looks cool. Most schools will also train with wood swords (Aiki-ken) and short staffs (Aiki-bo). This all will be especially cool, if you're into Japan, because Aikido is very much a traditional Japanese martial art, even though it is rather young, so we're basically cosplaying as Samurai while training.

The best advice I can give you for selecting a martial art and gym is this:

  • It is almost more important who you train with and under than what you are training. Try out every gym and see if you like the people and vibe there.
  • Pick something that's fun. Otherwise you will have trouble going regularly and making progress. If you don't do it for fun, you will most likely quit the first time you encounter resistance or stop making fast progress
  • Pick a gym that's easy to get to, because having to travel a long time will make it harder to stick with it
  • Prepare your training bag and put it besides your door so you just have to pick it up and go. This will make it much easier to go, when your motivation is low
[–] [email protected] 16 points 1 week ago* (last edited 1 week ago)

I'm all for suing, but this is the worst kind of video. Vertical, with minimal information and no sources. There is no reason this should be a video 👎

[–] [email protected] 5 points 1 week ago (2 children)

Threads (1984) by Mick Jackson

Not sure who recommended it to me, but IMDB says its about "[t]he effects of a nuclear holocaust on the working class city of Sheffield, England and the eventual long-term effects of nuclear war on civilization." Didn't have a lot of motivation to seek it out, but it has great ratings. Top review says "Very few films have the ability to suck the life out of a viewer and leave them feeling drained and shaken in quite the same way that this does." Yeah, so I'm not sure if I will ever be in the mood for that to be honest.

[–] [email protected] 4 points 2 weeks ago

"Wie der Schmäh mit Überraschungen rennt"???

[–] [email protected] 17 points 3 weeks ago (1 children)

Second monitor and huge mousepad

[–] [email protected] 6 points 3 weeks ago
[–] [email protected] 3 points 4 weeks ago

We got similar stats here in Germany.

Not surprising to be honest, but considering how much fear mongering the right does about antifa and climate "terrorists" a good reality check.

[–] [email protected] 2 points 4 weeks ago

Don't get the down votes. That was a fun video 🤷

[–] [email protected] 2 points 4 weeks ago (1 children)

Amazing movie poster!

329
🍿🍿🍿 (lemmy.world)
submitted 4 months ago* (last edited 4 months ago) by [email protected] to c/[email protected]
 

Edit: I'm not actually opposed to watching movies with directors cuts. Just realized I love watching ridiculously long video essays about movies, but almost never watch directors commentaries. Not sure why, probably availability.

Also I heightened the phrasing for comedic purposes ;)

 

I'm trying to build a fun, casual Reanimator deck using Kess, Dissident Mage, but I'm having a little trouble: Moxfield Decklist

Basically the deck is pretty inconsistent and susceptible and also not very interactive. Meaning I might be lucky and reanimate a big threat turn 3-4, but it's a single threat that can be easily dealt with. And because it is a big threat, it usually is the immediate focus. While others build their board, I filter cards until I can reanimate another big threat, leaving my board pretty empty. This could be compensated with interactions, but because the deck needs enough big threats, filter/loot cards and reanimate spells, there is little space.

I run a couple of tutors to help with the consistency, but they are kind of inappropriate for the power level of the deck. So sometimes I replace them with less good draws/threats/reanimates.

I feel like my only course is to play even more impactful threats, which are expensive to get, but also increase the power level inconsistency, while making me the target, because there could be something very bad incoming at any time.

So, is there a way to keep this a casual deck, but also make it more consistent and interactive? Maybe focusing a little more on spellslinging?

Edit: In the end I came to turns with the fact that a reanimator strategy alone does not work in a 4-player game (except maybe with much stronger targets). So I build the deck a little more into the spellslinger direction, cut the Demonic Tutor and accepted that it will be a power level 6 like my other decks.

 

"An archaeology professor discovers an ancient crypt which contains living dead corpses. The zombies go on a rampage and attack a group of people which the professor had invited to celebrate his discovery."

IMDB

This is my favorite b movie of all time. Got it on VHS from an older friend for 5€ when I was in "high school". Its German title is "Rückkehr der Zombies", which means "Return of the Zombies". Here is what the cover looked like, roughly. It's an incredible mix of bad acting, nonsensical setups, confused pacing and surprisingly good makeup and gore. The best part is the kid, who is supposed to be a teenager at most, but is clearly played by a small adult (see here).

If you are a fan of b movies, especially Horror and splatter, this is a must see!

(Also: I love this community!)

 

N64's F-Zero X had some bangers! 🤘

129
What went wrong (startrek.website)
submitted 11 months ago* (last edited 11 months ago) by [email protected] to c/[email protected]
 

Just to be clear: I saw this meme over at Lemmy Shitpost and had to repost it here...

 

"The Logical Song" is a song by English rock group Supertramp that was released as the lead single from their album Breakfast in America in March 1979. It was written primarily by the band's Roger Hodgson, who based the lyrics on his experiences being sent away to boarding school for ten years. Wikipedia

 

I don't know what it is about this song, but it always grabs me and transports me to a fantasy realm. It was a welcome surprise to see it used in the end credits of JoJo's Bizarre Adventure.

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