It's the dunk tank.
This is where you come to post big-brained hot takes by chuds, libs, or even fellow leftists, and tear them to itty-bitty pieces with precision dunkstrikes.
Rule 1: All posts must include links to the subject matter, and no identifying information should be redacted.
Rule 2: If your source is a reactionary website, please use archive.is instead of linking directly.
Rule 3: No sectarianism.
Rule 4: TERF/SWERFs Not Welcome
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Rule 9: if you post ironic rage bait im going to make a personal visit to your house to make sure you never make this mistake again
(I didn't, largely since I've never watched a single episode, but the psychic damage and whiplash of Wholesome Pony Show having said this line was too fuckn much for me)
EDIT: More replies than upbears now. It’s probably an official struggle session now (although most of it is that one person). One must imagine SisyFEWs happy.
It's ok. The earlier half of the season was better, I think, because Haruka and Michiro are more interesting characters when they're being people instead of standoffish edgelords without a fraction of the conviction they claim to have, and they get worse about doing that after the season's turning point. The fact that the story's being driven along by poor communication on all sides is also more frustrating than anything and brings the story down a bit - the back and forth between Haruka's "grr I'm so edgy and brooding, no one has my strength of conviction! I would sacrifice anyone and anything to save the world!" and Usagi's "Noooo that's bad actually!" just feels kind of hollow in the context of the main characters all literally dying in the first season and Usagi in particular having sacrificed her life no less than three times already by that point (well, I think she actually only died twice and the other time she just nearly died, but still). Chibiusa is also just an extremely grating character, though Usagi's character growth in starting to actually act like her mother is sweet and the one redeeming part of her inclusion in the story.