I know this topic has been discussed a lot before, but in my opinion there is no simple answer to this question.

Lately, I have been a bit disappointed with my Nikon DSLR kit (D3200) and thus I've been considering an upgrade. I got it many years ago, and it is undoubtedly a great, affordable camera that produces great images. I've had lots of fun with it and I can't complain about its performance when shooting -- given ideal conditions. When I am shooting more challenging subjects, however, I feel a bit hindered by my camera body/system. The points that bother me the most are:

1. Size. The D3200 is a very nice, compact, and lightweight DSLR, but it is still relatively big compared to modern cameras. It won't fit in a jacket pocket even without an attached lens. More current cameras with a higher image quality can be smaller than it is (but heavier). The situation is even worse for higher-end DSLRs.
2. Autofocus. Again, the D3200 is a fantastic camera if you are just using the center focus spot using the optical viewfinder and nothing else. Live view (contrast) focus is straight up unusable, and there are only 11 (phase) focus points or so if using the viewfinder. At least that's the case with "ordinary" Nikon lenses. I don't know how it performs with higher-end lenses, like the Sigma Art line.
3. "Low light" performance. I can't bump the ISO significantly before image degradation becomes obvious. Low light in quotes because that's the case even in fairly well-lit situations. Occasionally, I like to print on medium-sized paper (A3+), and if I need anything above ISO 400 to properly expose the image, it won't look that good printed. Of course, I can always stick to printing bright images large and save the "low light" scenes to smaller prints, so this isn't really my main concern.
4. Custom controls. I wish I could customize the camera settings a bit more. For example, on my camera, the back button AF/AE can be set to lock the AF/AE or as a back button focus. But in image preview mode, the same button "locks" the image so it can't be deleted. Thus, you need to quit image preview before using that button to trigger autofocus again. I would like to have a dedicated AF button so I can shoot straight from image preview if the opportunity arises. Another example of customization I can't do: settings like auto-ISO and shutter speed can't be capped/limited to a certain range. Let's say I want to use auto-ISO but prevent it from going above 400 to avoid too much noise (and decrease shutter speed but risk shaky images). Or the opposite: prevent the shutter speed in aperture priority mode from going below 1/100 to avoid shaky images and then change ISO instead. Well, I can't do either at the moment. Again, a nice feature to have, but totally something I can live with.

From what I have seen, cameras nowadays have gotten pretty good and they do look like a significant upgrade from 10-15 year old bodies. I guess all popular, entry-level, modern cameras (2019-) solve at least 3 of the 4 problems I listed above, so I don't think I can go wrong with any big brand. However, I'm having a hard time deciding with so many options and sensor size/formats available. My options so far are:

1. Nikon Z. Since I am already familiar with Nikon F lenses, I have read a lot about them and I know the strengths and weaknesses of many of those. That means I likely won't be disappointed if I switch to another system, and I want a certain lens that doesn't exist, or the optical performance is poor, or it is prohibitively expensive. The Z50, Z5, and Z6 all look amazing, and I can pick or switch between a full frame or cropped sensor easier than I would if I was stuck with a micro four thirds. They are more affordable than Sony.
2. Sony. They seem to be fantastic cameras, with great image quality and features. Sigma and Tamron options for Nikon are likely available for Sony as well. I'm just slightly afraid that lenses might be too expensive for what they offer. Their cameras look super compact and pocketable, which is a huge plus to me. Full frame (A7iii) or cropped (A6400) are also both available for a seamless transition.
3. Olympus. I think it is impossible to beat micro four thirds in size and affordability. It is perhaps the only system where you can get a wide angle, portrait, fast prime, macro, and telephoto that you can take everywhere in a small bag while not costing you a fortune. They also have pretty nice features, such as the "live mode"/"smartphone photography", where you can get a frame that was captured slightly before the shutter button was pressed. This must be so cool for wildlife. Olympus stabilization is also highly regarded, with people claiming it to be "gimbal-like". The E-M5 iii looks very appealing. My main concern is that I've never used a micro four thirds before and thus I don't know how much I'm letting go in image quality. I already feel that the dynamic range I get with the D3200 rocking a larger, cropped sensor could be better.

I am not considering:

1. Canon. I completely disagree with their "no third party lenses" policy. To me, that is unacceptable.
2. Fujifilm. There are barely any telephoto options and they are one of my favorite lens types to use.
3. Panasonic. I like what I read about the Lumix cameras, but they seem to be behind Olympus regarding micro four third still-focused cameras (apart from the G9). And I don't know much about the L-mount.
4. Hasselblad, Leica, etc. Too expensive. I want something that I can take with me everywhere and not worry too much if it gets damaged.

I would appreciate if you all could help me figure this out! Especially people who have used more than one modern mirrorless system or have recently transitioned from DSLR to mirrorless. Many thanks in advance!

Edited to add:

I forgot to describe how exactly I use my camera. I mostly shoot:

1. "Lifestyle" photos, like something cool I've seen while biking to work, walking in the park, visiting museums, etc.
2. Hiking, biking, backpacking photos, like landscape, close ups, macro, wildlife, etc.
3. Birds of all sizes.
4. Occasionally, street photography if there's some cool event going on.
5. I do like to shoot video, so something that would be 4K capable would be great.

Canon EOS RP with a 17-40 f4

It was rainy last night but some people nearby let out a few and I got 1 really good picture from it!

Pros:

• Sharp
• Nice construction
• Effective VR/OIS
• Fast and accurate AF with good tracking. I've used it for a mix of birds, bugs, and youth sports. It's never failed to disappoint
• It's not white and collapses somewhat small for a longish FF lens. I like to believe the lens didn't stand out that badly when I use it to shoot youth sports. At least I had multiple parents tell me they appreciated the photos. The hood adds a decent amount of visual mass and it's probably not needed 95% of the time
• Decent pseudo macro, but only at the wide end (1:3.1 aka 0.32x)
• 500mm is 25% more reach than 400mm and is enough for my needs. I'm on e-mount and this lens combo is faster than Sony's 100-400 with a teleconverter
• Good price to performance ratio
• The lens has a focal length lock that uses a clutch like mechanism to lock the lens at any focal length. It seems a bit gimmicky, but I find it useful
• My copy appears fairly well centered, so yay

Cons:

• Stiff zoom action and somewhat front heavy when fully zoomed. There's no manual focusing this lens when it's fully zoomed unless you're using a monopod or tripod
• It's a bit heavy, but is on par for this focal length on a FF lens. If you only need 400mm, get a 400mm lens to save some heft. I use this lens exclusively hand held, but I'm also reasonably fit. I have sat on the ground and used a knee as a makeshift monopod at times though
• Somewhat slow aperture, but this also on par for the focal length. I only use this lens outdoors, so it's never been an issue. As far as consumer lenses go, there's not much faster out there at this focal length
• If you need a long lens you're going to need something longer than 500mm. There's obviously more reach here than a 400mm lens, but it's not that much more. This isn't a real con about this lens, just know what focal length you need and go from there
• No teleconverters on e-mount

Bottom line:

• If this focal length is your jam, this could be your lens
• If you don't need the reach, get something lighter and more compact
• If you don't mind walking around with a massive lens and you're on e-mount, Sony's 200-600 zoom action is really hard to beat

Went to the lake when spring weather started to set in. There were four of these guys hanging around me keeping the mosquitos at bay. They sat with me the entire time I was there occasionally flying over to the water to drink and coming back.

I've been interested in photographing bees recently. Rather than buy a macro lens, I spent $32 on a 10mm and 16mm Meike extension tube. Photos are with an A9II + Sigma 35mm f/2, which normally offers a 0.18x magnification. All four are taken as close as the lens will focus. I'm very happy with image quality, especially given that this lens doesn't have a super flat focal plane at its minimum focal distance.

For anyone who tries an extension tube for their first time: you won't be able to focus very far in the distance (beyond about 1 foot in my case). Be ready to get up close and personal.

Finally found out what kept me from uploading photos directly to lemmy so hopefully it will work this time.

This is part of a series that I shot in 2020 and now I’ll finally have the chance to show them in an exhibition on Berlin later this year.

Ignore the antropmorhic bear in the background

Edit: marked OC

The last shot I posted gained some traction, so I felt like sharing some more of what I’ve done with my scanner camera. The scan is done from top to bottom in about 2 minutes, the model did a great job of staying still throughout.

While scanning motion is definitely eye-catching and spectacular, there are other qualities to appreciate. The gorgeous soft, yet tack sharp aesthetic of large format photography is easily available with a scanner.

Usually I fight the IR-super sensitivity of the sensor, but this time it made her skin iridescent against the rock in the background.

Hi all, let me know if Cara posts are not allowed :)

cross-posted from: https://lemmy.world/post/16177288

Pearl St, Boulder CO, USA. Spring 2024

Since I discovered RAW Power thanks to Lemmy and used it happily since, I thought I post the availability of this more advanced app recently released. With the uncertainty around Affinity Photo after the Canva acquisition, maybe it of interest to some :)

I know this is quite personal, but does anybody know of a good sideloading backpack? I have a wandrd prvke 31l, and while I like all the organizing I'm unsure of the looks and it's quite heavy. I have a fjallraven Ulvo 23l and I really like it but it's maybe a bit too small and it's a pain to dig up my camera cube/sling underneath from my coat, drinks and food. The Peak Design Everyday pack is expensive and doesn't look like it works well with the dividers and such.

So I thought maybe there's a hiking or daypack with side loading option. Those are usually less expensive, have good build quality and with a camera cube can function fine as a gear bag. Is there such a backpack?

Taken on a small group of Islands in the Oslo fjord, called Hvasser. A 15 meter peice of fabric playing in the wind, scanned right to left in 21 seconds. Got really lucky with the clouds this time, allowing a single beam of sunlight in as a highlight.

I'm cross-posting this here to draw attention to this awesome community that has been inactive for a while. I hope we can help it grow!

cross-posted from: https://lemmy.world/post/16061925

Shot last Sunday by me. I'm hoping we can revive this community!