this post was submitted on 24 Nov 2024
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Love having all my party members twiddling their thumbs defending and healing while one guy fails his steal rolls 10 times in a row

I extra love it if the steal move deals damage so you have to also worry about the target dying from too many failed attempts

I double extra love it when it's a boss battle when on top of everything else the story momentum just grinds to a halt while you fuck with a stupid RNG for 5 minutes

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[–] [email protected] 15 points 2 days ago* (last edited 2 days ago) (4 children)

First of all, I will not stand for this FF9 slander. It's my favourite or 2nd favourite behind FF7 depending on what phase of the moon you ask me. Seriously though, replaying and playing through classic turn-based JRPGs as an adult has led me to realise the underlying gameplay systems just suck in general. The games are all piss easy and there's basically zero skill or thought involved

I mostly just enjoy and evaluate them on aesthetics, music, characters and story. Someone should try making a classic JRPG but with the game mechanics replaced with something that's actually good

[–] [email protected] 8 points 2 days ago (2 children)

I mostly just enjoy and evaluate them on aesthetics, music, characters and story

9 has that in spades.

One thing that frustrated me with FFs starting at 12 was relative improvement to combat coming at the expense of more and more story beats. 15 was the worst offender, but it was all downhill after 10.

[–] [email protected] 3 points 2 days ago (1 children)

I don't understand. You're saying 12 improved combat at the expense of its story? And that 15 did that too? But 12's an autobattler that's all about political intrigue and 15's so trivial that it might as well be an autobattler (its story is a mess though, I agree).

[–] [email protected] 3 points 1 day ago (1 children)

But 12's an autobattler that's all about political intrigue

The gambit system was significantly more involved and allowed combat to proceed in near real time. Very stark change from 10.

Also, 12 had political intrigue as a backdrop, but it was all on rails. This wasn't Crusader Kings. Nothing you did influenced the outcome.

15's so trivial that it might as well be an autobattler

It ended up being button mashing in practice. But you had more real time control over the character than in any prior version. Much closer to a Zelda style of combat than a traditional FF.

(its story is a mess though, I agree).

The shift in gameplay was so stark they basically never finished the story. By the time you're in the third act, you can practically see the stage hands pulling ropes in the background. The dramatic, expansive open world they lay out in Act 1 collapsed into a few repetitive hallways and clumsy boss battles by the end.

All that so you could do a half assed implementation of Kingdom Hearts.

They even released a movie and an anime series to do world building! And it all got flushed down the drain by the end.

[–] [email protected] 2 points 1 day ago (1 children)

12 is linear with only one ending yeah, but its politics are remarkably grounded and well-integrated into its world. It's light on the crystal, magic, divinity stuff and heavy on the geopolitical. Out of all the FF games, Ivalice is the setting that's the most thought through imo.

Regarding 15, it's funny how the combat mechanics are most relevant in comrades where targeting weak points to break them actually matters. And this might just be how I played the game, but I didn't mind the shift toward the end. I got my fill of wandering, camping and questing before I set sail so the oppressive hallways came off as a purposeful artistic choice to set the tone. Like, the road trip has ended, the boys are in enemy territory, they're being obviously manipulated by Ardyn, and there's nothing they can do about it. The miserable way the boys are restrained into realizing the worst ending feels thematic.

The OVA and movie came out before the game released, didn't they? I'll admit, I liked them but I'm also a massive FFXV fan so that might be apologia.

[–] [email protected] 1 points 1 hour ago

The miserable way the boys are restrained into realizing the worst ending feels thematic.

I genuinely enjoyed the way the crew fractures and falls apart towards the end, only to have to come together despite themselves for the finale.

But it all happens in a rush, because they burned through their budget and squandered so much time/energy on the Act One overworld that ends up meaning nothing.

The better FF games tend to take you though the setting two or three times - first to set the stage, then to establish the stakes, and finally (in epilogue) to pay off the conclusion.

Because 15 wants to keep stringing out the world in Act 2 and 3, the stakes/pay off are heavily clipped. Lunafreya is built up enormously in Act 1 only for Act 2 to exist in what feels like a closet. By Act 3, she feels like an afterthought. And all the scene setting in Act 1 collapses by Act 3, because they never had time to properly mod the original continent into its "bad ending" failed state. All those side characters and places you met just vanish.

You never get that Golden Saucer moment - discovering the wonder, witnessing the seedy underbelly, and then finally watching it flounder in the face of calamity.

The OVA and movie came out before the game released, didn't they?

Yes. And (setting aside the fact the movie was mid) they felt very disjointed from the game itself.

I remember watching the Gungrave anime and genuinely enjoying how they morphed a Scarface-esque mob story into Sci-Fi bullet hell backstory. Was excited to see something like that.

Instead, it was this cheesy canned action-romance that mashed proper nouns in with a mush of noisy melodrama. The OVA was much better. But it sets up a bunch of story beats that the game barely explores.

Who thing feels like a Too Many Cooks situation.

[–] [email protected] 4 points 2 days ago* (last edited 2 days ago) (3 children)

15 was the worst offender

I haven't played it but I struggle to imagine how it could be worse than FF13, a game that was nothing but a bunch of cutscenes strung along by narrow corridors

but it was all downhill after 10

Give me my guy running around on a big globe map representation of the game world or give me death

[–] [email protected] 3 points 1 day ago* (last edited 1 day ago)

I haven't played it but I struggle to imagine how it could be worse than FF13, a game that was nothing but a bunch of cutscenes strung along by narrow corridors

For all its sins, FF13 was a complete story that closed its loops. Not a great story, but it at least had FF vibes and a dramatic ending.

FF15 just kinda gives up on itself in the middle of the game. You can tell the developers were throwing up their hands and announcing "We don't care anymore, just send it out the door".

A ton of story beats are littered across the first arc that just get dropped. A bunch of story beats are introduced at the top of the third arc seemingly so they can immediately be resolved.

The Act 2 final fight feels like someone cobbled together a God Of War quick time fight over a long weekend.

FF13 is consistently mid from end to end. FF15 drops straight off a cliff once you leave the main continent.

Give me my guy running around on a big globe map representation of the game world or give me death

Old ways are best ways

[–] [email protected] 6 points 2 days ago* (last edited 2 days ago)

I know I say this like every time it's brought up, but I will reiterate yet again: FF13 is the ideal JRPG to play while drunk. The out-of-combat mechanics are "Hallway Simulator 2009." The in-combat mechanics are "mash these three buttons in this sequence, unless it's this slightly more annoying type of encounter, then use this other sequence instead." The rest of it is forgettable cutscenes where Snow yells a lot over his shitty nu-metal leitmotif, and the story is so incoherent that it wouldn't matter if you were sober anyway. Some people drink to forget; if you're playing FF13, you drink to not remember in the first place, and it's a better experience for it.

[–] [email protected] 8 points 2 days ago (4 children)

Someone should try making a classic JRPG but with the game mechanics replaced with something that's actually good

Gonna make Final Fantasy nerds mad, every time they try a new system that isn't just "select attack until you win, heal as needed" they get mad and claim that changing away from that system "dumbed it down" and "made it a mindless button mashing game" ironically.

[–] [email protected] 10 points 2 days ago

Final Fantasy nerds

[–] [email protected] 8 points 2 days ago* (last edited 2 days ago) (5 children)

My main issue with the action game mechanics is that it stops being an ensemble cast and turns into a story about one dude because turn-based is the only reasonable way to control an entire party

[–] [email protected] 9 points 2 days ago (3 children)

One thing I hate about a lot of classic Square JRPGs that you are strictly verboten from benching the designated anime boi hero. Let me run around town as Cid, Tifa or Red XIII you assholes rage-cry

[–] [email protected] 5 points 2 days ago

Yeah you either need the Chrono Trigger treatment or an ensemble cast like FF6.

[–] [email protected] 3 points 2 days ago

I don't mind having a forced party if it makes sense for the story. I don't like it as much when it's enforced for no apparent reason

[–] [email protected] 3 points 2 days ago (1 children)
[–] [email protected] 2 points 2 days ago* (last edited 2 days ago)

Yeah, on reflection that was something they really got into with the PS1 games

[–] [email protected] 2 points 1 day ago

Honestly FFXII is probably my favourite because it successfully merged real time with party control through the gambit system. Tell 'em what to do and you just need to switch around the characters for a bit of fine tuning. Having to unlock the gambits was bullshit but apart from that I had no complaints.

[–] [email protected] 2 points 2 days ago

I thought the FF7 remake handled that pretty well

[–] [email protected] 2 points 2 days ago (1 children)

FFXV did a great job of telling a four character story with action rpg mechanics.

[–] [email protected] 2 points 2 days ago (2 children)

But dis it do a good job of feeling like you were playing the whole party?

[–] [email protected] 2 points 1 day ago

The original release: absolutely not. Noctis is the clear protagonist and occupies 75% of the player's attention

With the DLC or in the Royal Edition: Noctis occupies about 30% of the player's attention. Each other party member gets their own lengthy side quest and returns to the main storyline as playable characters and with deeper motivations for their actions and contribution to the plot.

It's one of those games where they solved many of it's initial flaws way after the impression of the game was set in the public mindscape.

[–] [email protected] 2 points 1 day ago

No lol it sucks so much that the other three boys are unplayable until you unlock them one by one on the skill tree. And that you can only momentarily play as them during a fight, after which you'll immediately switch back to Noctis. Noctis is the lamest one!

The devs couldn't even give us the decency of playing as them in comrades beyond one (1) mission. The only good mission.

[–] [email protected] 2 points 2 days ago

Yeah that's a pretty fair criticism. The last couple have felt that way.

[–] [email protected] 5 points 2 days ago* (last edited 2 days ago) (1 children)

Yeah but when JRPGs try to do something different, they usually end up with incredibly contrived and bizarre nonsense, like the Dressphere stuff from FFX-2 or the Paradigm system from FF13. What I'm saying is: make a Fallout 1/2 style CRPG that looks like Xenogears

[–] [email protected] 2 points 2 days ago

I liked the Paradigm system.

My absolute favorite turn based combat system is in Star Renegades. Never been more engaged in video game combat without real time elements than in that one, unfortunately it's a roguelike.

[–] [email protected] 4 points 2 days ago (1 children)

You're looking for FFXV which pushed the limits of Final Fantasy innovation.

[–] [email protected] 3 points 2 days ago

I liked that one a lot, though the latter half of the game felt a little rushed. It was pretty despised by a lot of old final fantasy fans though.

[–] [email protected] 6 points 2 days ago

Someone should try making a classic JRPG but with the game mechanics replaced with something that's actually good

That sort of thinking is what got us in the mess we're in today, with everything being just shittier action game.

JRPGs were fine

[–] [email protected] 2 points 2 days ago

Someone should try making a classic JRPG but with the game mechanics replaced with something that's actually good

Have you played Omori? It's not rocket science, but I thought the emotion system was fun to play with.